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Tron: Legacy

"Tron: Legacy "is the sequel to the sci-fi movie from Disney" Tron. " This first film was released in 1982, and was one of the first to use computer graphics technology. For this reason it was considered at the time as a betrayal of the traditions of cinema, and now Tron: Legacy, returns to say " we were pioneers in the digital revolution, we want our share merit."
With art special effects while maintaining the aesthetic eighties, Tron: Legacy continues the story begun in '82, where a teenage boy accidentally gets on the video game where his father is trapped for years.

Actually, I do not personally interested in the proposal, but there are many things to highlight.
The film is scored by Daft Punk (in fact appear in a scene from the movie) and every time the music plays, the film is far more entertaining and bearable. I was surprised by the French duo, to make a soundtrack very cinematic but keeping his musical style. No doubt they are the ones that sound, but at the same time, we had never heard music by Daft Punk make it useable for a film. The truth, the best film music.

The special effects are incredible, and yet, visually, this installment is much like the first. (Which may be contradictory taking into account that the first is of 80) maintains the style, costumes, neon lights, scenarios ... The new film is perfectly linked to the original, and that's great, because it pays homage in every scene.

As for the actors, (where I start with how bad or good?) Olivia Wilde, who plays the role of Quorra, is the best thing that could have happened to cast. The character is adorable, but beyond that, his work is notable for its sharp contrast to his colleagues.
The performances are bad in general, but the limit of its capacity to be confused with the awful screenplay for the film, which requires players to become characters trite can not shine because they simply can not be beaten out of her world.
Jeff Bridges plays the same role as in "Tron." And is that tied the most trite character of all. Inlcuso having to play 2 different: Kevyn Clu Flynn and his clone. ( and clonclu -? - )
Garrett Hedlund plays the protagonist Sam ... and good ... it does too well, but Sam is half turnip and from scratch ... Bruce Boxleitner plays
Alan Bradley, counselor, friend, colleague, partner or not-understood-who-was the father of Sam, and also makes Tron, who does not give a damn about this story, and that's the point weak film. Who
-Tron? -A chaboncito that does nothing important - but the film is not called Tron? -If it does nothing .... [Basically]
There is a scene where he explains who he is, and I suppose in the first issue of Tron, had a bigger role (most important perhaps?) But Tron: Legacy, only appears 2 times amid an action scene where barely distinguish what makes movement and, well, goes a little something that I will not count but that is not very interesting either .... The worst character
linked him Michael Sheen. A sort of Mad Hatter space (I could not put a better description, it's just the mad hatter in a futuristic outfit.) A character who by their gestures, movements and dialogues should be in a circus or a film set in antiquity, but modern white dress that glows under black light. Really irritating and completely at odds with all the style that could have the film, until it appears clear ... When Michael Sheen enters the picture, everything we thought that the art team did well, falls apart in a second. Surprised by the bad choices that took on this character, this mock British accent, either, in a video game people do not talk like that (lol). Perishes a mockery of David Bowie, is hateful.

this makes no sense, and criticism is me being very unprofessional because you see me angry because I felt BAD Tron. ¬ ¬ jajaj


I must say before resigning to pursue this, the script is the most ......... (I can say beaten back?) Beaten the world. Cliche - there is a better word, in our language? - Bone
..... (Professional q) the scenes are pretty asshole .. eg Sam comes home, opens the refrigerator and as the camera shows how you choose the bottle that is about to take, says something like "Hello Alan how are you?" and when you close the fridge camera shows you that Alan is standing there behind him and Sam had noticed while watching the refrigerator Scene (!!!) ridiculous that only happens in science fiction films of the 80 .. Ah ok
parameter was the idea

pfff okay ... Q
trucho

The film has a style eighties and maybe the unpalatable also be due to this quality. We can look at it from both points of view, as successful, to recreate the retro qualities, or as a failure to repeat the same mistakes.
I consider successful in recreating the visual style and theme in that era was a boom. But a total failure to repeat the mistake of including elements that are used and in this film, as the real-world nostalgia, (q Quorra read Jules Verne, or have old furniture in the house of Flynn) dialogues ridiculous or robots dressed girls, who actually think like people but walk like machines, or the stupid final scene and is predicted from the middle of the film. All this leads to Tron: Legacy offers nothing new to the world of cinema, when originally was that revolutionized the ways to (Actually) film. Most

: Daft Punk fucking [the poster is barbaric]
The Scene: The first scene scored by Daft Punk, Sam on the bike, very good.
least: Michael Sheen's character is even worse than the asshole of the script.

-che my criticism is pathetic, do not give ball- Haha

[Pony-score> 5]

is entertaining, I

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Dróguense Titles only

The first serve of "Enter The Void "
[you can flash only with credits initials?] Yeah

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Devil Enter The Void

"The Meeting of the Devil"

" The Meeting of the Devil " is a supernatural thriller directed by John Eric Dowdle (director of adaptation yanquee BER asshole," Quarantine "). It is the first chapter of the saga THE NIGHT CHRONICLES. Stories of suspense, horror or fantasy (as they want to catalog them) written by M. Night Shyamalan.

The script adapted by Brian Nelson (apa! "Hard Candy" )

In this, the original title is "Devil", a situation arises where 5 people are trapped in an elevator of a tall building from which just jumping a person to commit suicide. It tells the story of religion, that suicide is a sign that the devil is there.

A history of terror and faith, as we have come Shyamalan. Use a genre pochoclero to address a profound message. We know. So here who does not like the metaphorical proposal generally provides the writer of this story, just do not go see it.

Now, Devil, as a movie, "meets"

basically has a good story that keeps you completely caught at least for the short duration of the film. Almost an hour and a half, enough to tell a frightening story, makes you jump off the chair a little, has cornered a couple of effects, a little blood, a little surprise in the end, and everyone is happy.

film entry well spent.

The actors are good, the music is good, the story is rather copada, Shyamalan is what can I say, I love the guy.

The suspense is well managed, that is a good merit especially for a thriller (?)

I am writing this review almost dfensiva position by the bad reviews I read there.

The point is that what defenestrated M. Night lately, since his misunderstood "The Happening". But "Devil" is not just a story he wrote, directed by another person, adapted into a film by another person, to music by another person, edited by another person, and so on. He produces the series. This is the first chapter, and it shows.

The film has an air more short than long. It looks like a chapter of something, and that is what it is.

A chapter of a horror series, released in the cinema.

A good chapter.

the Most: complejito semideep turning the connection between the characters.

The scene: every time you turn off the light, let us pray the Lord's Prayer to turn it.

least: the beginning the script is very forced.

[Pony-score> 7]

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travel Evil Gaspar Noé

few weeks ago was back in bondi to my house and saw a poster briefly saying something like "European cinema week." I went online and found very little information about the event, but I grabbed it before the end Justito. The last title that projected in room 1 of the Gaumont cinema was "Enter The Void", the latest film from Argentina based in France, Gaspar Noe, responsible for the impressive (In any direction, bad or good a word) "Irreversible."

I went with my friend Tom, who 15 minutes before the show I called the phone telling me, "hey, I'll buy the tickets? Because here there are many people ..." I was surprised. Many people in the Gaumont?

I bought tickets and waited in the queue. When I saw what he meant. I wondered if all these people come into one of those tiny rooms of this old film Buenos Aires that almost no one cares ... And Edu wondered if that had been stripped pass by the side, was by chance the very Gaspar Noé.

When we opened the doors to a huge room on the ground floor of the cinema, unknown to them. They were debuting new screen and all ...

The room was filled within minutes, but no one was left out. Before the function, Thierry Fremaux, Director General of the Festival de Cannes, made a sort of introduction, telling some stories of Gaspar Noé in Cannes. He made references to his films, and also spoke of some Argentine directors. Cheers, it was nice to hear his English pro-French. Be listening generated a very different way of seeing a movie. Lets see beyond the film, who participates, what are the stories behind these works we see every day that we movies, they have to say those who live nearby, and what they try to show us. This was the director of Cannes! That's impressive, no? no .. at one point topped me ....

After a while Thierry introduced to Gaspar Noé. Tom was right. That he was stripped. Had come to present "Enter The Void" to the country, long after its premiere at Sundance.

counted almost a summary of his life in film, to get to the introductory film, "my teenage dream."

said that watching "2001: A Space Odyssey" was for him as a drug for the first time at age 8, and from that moment did not stop. See Kubrick and take ayahuasca for him is almost the same. Or part of the same. Both, along with many more (probably) led him to make this film.

could have not been achieved without the success of Irreversible, which meant for him to have the support of producers and thus the capital necessary for the realization of "Enter The Void". A film whose script took 15 years to complete, and 5 years to complete. Filmed in Japan and the United States, post-produced in Paris.

An amazing trip through which we visualize the Todol Barto (The Tibetan Book of the Dead), through the imagery of Gaspar Noe, which probably is the same as the protagonist (who could be physically Noah Young).

[As I write I read interviews and articles about the film, and it costs me to keep writing so I move Gaspar Noé responses and the impact that a movie can have on people, journalists and myself]

The film begins to show the city of Tokyo by night from the eyes of the protagonist (literally) until we see Blinks through the camera. (at that point you forget it's a camera that is showing what really appears to be filmed from the viewpoint of the actor, or character, in his mind, his perception.) lives with his sister in a tiny apartment. She works at a strip club and he sells drugs without considering dealer. A friend recommended reading "The Tibetan Book of the Dead" and he says he is not going to be a Buddhist. His sister says that "all religions are the same shit." So here the friend sums up the book in a few simple words. Quite impressive, about the experiences of the mind after death, but Oscar just to get high DMT, and something starts to go wrong.

adolecesnetes A cocktail of questions about the meaning of life, fantasies more hidden, much explicit sex, art, drugs, death, violence, abortion, promises, strippers, dealers, sex, friends, blood, mementos, unknowns, more sex and more drugs.

"Enter The Void" offers real-time hallucinations, Tokyo flies in their most psychedelic, and shows us through stunning images (from the colorful to the violence), the existential questions of this young man, or just die, or are having a very, very bad trip ...

Regarding the technical aspects are flawless.

The picture is by Benoit Debie, who also worked with Irreversible Gaspar Noé. Has a personal style that plays perfectly with the story he wants to tell the director, but this includes much more color and fantasy, to address the issue of lysergic film.

filming in Tokyo was chosen for the color typical of the city, where hardly even had to light the sets to shoot because the lighting of the place created the perfect climate.

The city election does not go beyond the visual factor, and Gaspar Noe are tired of answering in interviews why choose Tokyo as the location. It just worked.

Throughout the film we see the hallucinations of Oscar intepreted as a sort of ever-changing kaleidoscope, with a buzzing sound to music that makes allusion to the vacuum.

These scenes are of high visual impact, and even are capable of physical effects on the viewer.

After a while, we come to feel that they are our own hallucinations, and that we ourselves are experiencing. This is one of the great merits of the film, which is characterized by feelings generate very few films that achieved in history. Gaspar Noé

reach the goal of generating in us what he felt to 2001 Space Odyssey. I for one, felt that first took hallucinogens ...

The sound design was by Thomas Bangalter, Daft Punk integral. And is another striking aspect of the making of "Enter The Void" (I think that there is no striking aspect is not its realization)

From the script to the assembly, is surprising in every second, every detail.

The version that passed in this function is 17 minutes longer than the version that will play in the rooms when it opens.

The scenes of violence are justified in the plot, but fail to impress. Several people were removed from the room in the middle of the film, not want to witness such scenes, or have been exhausted by the pace that carries the film. That as in Irreversible, Gaspar takes time to trap and entangle us in his obsessions.

The film is something like 2 hours, leaving a physical sensation indescribable experience each in their own way. I was floating. And when I returned home by bus, the wind coming through the window and hit me in the face, and I was too aware of that, the wind, more than normal. And the cars passing by the side of bondi almost in slow motion. I could see the lights stellar as when you take a picture with long exposure. Even the next day, I was on a terrace where I could see the city and in the aerial shots of Tokyo, that gave me memories of the film, and made me feel a little dizzy ... and curious to fly over ... (Weird)

: You fucking did it!

recommend it to anyone who wants to say he saw at least an interesting film in his life.

you'll blow the

bocho

just like that I tell

Most : ehhhhhhhhh the Todol Barto implicit throughout the film

The scene: impossible to choose just one, really impossible. But to name one: first time you see hallucinations of Oscar is awesome, you're conscious for the first time in the movie you are witnessing a unique event.

least: too many minutes, some ... and the only thing that prevents me put a 10.

[Pony-score> 9.8] ( first score with a decimal hey haha \u200b\u200b )

Gaspar Noe received for this movie the best and the worst reviews of his life. And I agree with Thierry Fremaux to have said that Gaspar is the painter of cinema today.
is also the owner of a sincere voice that says what he really feels, without taboos or censorship, who reveals in his work, secrets, his and ours, things that not many dare to speak. And dare, and take the risk to those lousy criticism is also why it deserves the excellent reviews that equal or greater level create in others.

14' Jon Boat Engineering

Gallery

Message from Cristina Uribe
From: Cristina Uribe (galeriagaudi@gmail.com)
Sent: Wed 10/29/08 10:01 a.m. Dear

XXXX

My name is Cristina Uribe and I work in the International Department of the Gaudí Gallery from Madrid, in Spain.

I am contacting you because very soon, from February 20th until the 23rd, the gallery will take part in the International Art Fair ARTEGENOVA that will take place in Italy www.artegenova.org

We are very interested in your art work and we think that fits perfectly with the art works we are going to present in this Art Fair. If our proposal is of your interest, please contact us by mail and we will send you the contract with the conditions of the participation.

Awaiting for your answer

Sending you by best regards, Cristina Uribe


This is the mail that have been artists from around the world, it is said in some forums and blogs of artists such as blog
Katherine Hisako Kodama http: / / nerdychick2001.blogspot.com/2008/10/another-possible-scam.html

This blog is read the original post was deleted at the request of re-titl.com and Gallery Gaudi Madrid.

the has-been removed original posting as Requested by re-title.com and Galeria Gaudi of Madrid. I Was wondering about this particular "scam" Because It Did not Have the usual weirdly Phrased sentences. I Thought It Was Innovative a whole new style of scam. It turns out it May Not Be a scam afterall, at least Not in the usual sense.

The comments we can read and follow the "deal", seems to be that to participate and make a presentation you have to pay € 1500. Salta
doubt among users as to whether it is a "scam", some of which specialize in defrauding artists, as can be seen on the websites:
http://stopartscams.blogspot.com/
http://www.artscams.com/

really seems that these mails are sent from the Gallery to attract potential artists Gaudí willing to pay € 1500 for exposing.
We see this type of legitimate business.
I invite you to say a resounding NO to such proposals, which for us are very close to the scam and insult, poor condition and pose for artists.
As they say in the blog cited above: " They Are not interested at all in your work. They just want your money."

another comment:

I got today from the Same crap Galeria Gaudi! They just want to get some easy money from the hopeful artists ... You do not get anything for your money if you pay Them. This is the Same as Agora Gallery.

It could be a role model by some galleries.

do not have to pay for post, you should pay to you, because these "filling" your space and your business. at least reach a good agreement with the gallery so you do not waste your money.

If you are looking dissemination using the internet.
If you want to expand curriculum seeks public or events, show up at events and festivals where you pay or you are in good conditions and experiences.
If you wish to sell make a good distribution of your product and have experiences to have a good curriculum and know how to sign your contracts.

intermediaries have to help, not parasite.

blog

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Stones Exile In the post

Stones In Exile, a documentary directed by Stephen Kijak on the time spent in exile Stones in France, while recording his album "Exile on Main Street."
Throughout its 61 minutes, we witness the creative process that went through to achieve the result of the disc, and at the same time, how it affected the special circumstances of exile in the sound of their songs.
Stones in Exile has incredible footage, including footage of 1972, countless photographs and interviews with the main protagonists of the story: the same Stones, Anita Pallenberg, Martin Scorsese, Benicio del Toro, Sheryl Crow, Dominique Tarle, Caleb Followill , among others ...
The assembly was created based on a myriad of still images and moving, visually bombarding the audience while a narrator tells the story. The same people who lived in that beautiful house in France are those who have first hand, what happened, what they saw, what they did, and how they felt far from home.
documentary is a fascinating but difficult to explain, because what is love and hypnotizes see, really see the kind of life they led in this house for almost a year, how they managed to record, to take advantage of the spaces and acoustics of the place, although not the most comfortable and professional. How children live with the vices of the musicians, drugs and electric guitars on the chairs, really fascinating when viewed from certain point of view.
really the documentary serves as a guarantee of the genius that exceed these legends of rock, and is a piece of art in itself. A lot of films, and great photography. And obviously, a lot of music.
know the history behind the work, it helps to appreciate otherwise. Knowing the truth in it, understand what the songs say, and thus what its creators say.
If someone heard "Exile On Main Street" and believed that the songs do not really say anything, Stones in Exile shows that tell much more than words can say. The fact of the almost Dada in his lyrics, the arbitrariness with which his poems were selected, matching the dislodging and lack of ownership felt by the musicians at the time.

View several times, is mesmerizing. Most

: The huge photographic archive Dominique Tarl. (My dream, ha)
The Scene: the time they begin to look and play a great part after having boludeando for a while. They are geniuses when they want.
least: the bad choice of using a comment by Benicio del Toro as the last line in the movie. Who The Fuck is Benicio del Toro Anyway??

[Pony-score> 8]

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500 Days of Summer is the post

when will I fall?

not want one now!

but always gets it?

because I will not head into the summer ...

= (

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Due Date final

Due Date , known in Argentina as " entire game is the latest film from director Todd Phillips ( The Hangover ). A mad comedy, presenting something new to the gender landscape, as it did with its earlier proposal.
entire game, stars Robert Downey Jr. (Peter) who has to return from a business trip to Los Angeles where he should meet his wife, who is about to give birth to her first child. Circumstances lead him to miss the flight home, and crossed with the character of Zach Galifianakis (Ethan Tremblay) with whom he shared out on a long road to Los Angeles.

A hilarious comedy, adventure and friendship. Zach Galifianakis
again provides a great character after his participation in The Hangover and the fat that holds the baby in the poster. At that time was the best I was offered the title, and it is not far behind. Robert Downey Jr.
also makes a memorable role, but is not as charming as Zach.

Note the use of music in the movie because the director is to excel in that subject with his last 2 movies. The soundtrack is memorable.
The film is highlighted by a highly original script, full of situations never before seen in movies of this type, and the use of cliches is approached intelligently and respond to a need.

Come on .. killed me with laughter at all delivery, have just finished a 2 year relationship with rocker boyfriend, go see it! ¬ ¬


thing: Zach Galifianakis (do not know if it's because I wanted to see him, or if it is truly the most)
The Scene: "how you come up with these 3 questions?" "Because I thought your best friend impregnating your wife, and that half would a baby zebra, then it occurred to me to ask if you had gone to the zoo .........."
least: not you die to know how it ends ...

[Pony-score> 7]

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that good at this time we parted

because now I will not stop loving you never

and that movie is

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videotheques Gaudí-39 FREE INTERNATIONAL FILM FESTIVAL & XIV CANARIASMEDIAFEST

We bring the two festivals of "cinema" or audio on staying with your work just for showing up.
imagine this happening at a painting competition. To stay just for showing your work.
If you want to make a video library or a digital file that paid to producers. Even
seem to be doing a social good, a file for reference, a common pro-file. But they are doing off the labor of others, without pay. And also a fund becomes "Private", they are not hanging on the internet and anyone can see.

It seems an abuse. Insulting.

INTERNATIONAL FILM FESTIVAL 39 Huesca

BASES HERE





Excerpt:

- These copies will be available for the Film Festival, where may be consulted. -Participation in the Festival implies the authorization to broadcast excerpts of the film presented in the English TV channels and the Internet.
XIV

CANARIASMEDIAFEST

BASES HERE

6.2.1. Digital Archive of Gran Canaria:

With the overriding goal of democratizing and universalizing access and cultural production and heritage of Gran Canaria, the works submitted for the contest, regardless of whether they are winning or not , will join Digital Archive Gran Canaria, where he kept in a proper manner. To this end, legitimate users and the public generally may have access to that file in the terms and conditions of access ready for it in accordance with applicable law.

6.2.2. Use of works presented:

The Organization, its bodies and other subsidiaries may conduct its free distribution, reproduction, exhibition and communication around the world, regardless of time or space whatsoever, in any medium, system or format in order to enhance the understanding of such works and their authors, facilitate cultural exchange, promote diversity and development and give proper performance, ultimately to the goals and skills which Festival, the Organization and its agencies and other subsidiaries thereof. This application is made with respect the author's moral right pursuant to Rule 14 of Royal Decree 1 / 1996 of 12 April, which approved the Consolidated Intellectual Property Law.

To this end, the contestants give up without any financial cost to the Hon. Cabildo de Gran Canaria those rights to exploit the works submitted for the development of such purposes and powers, as provided in arts.17 and following of that decree.

In this regard, works may be used by the Festival, the Organization, its agencies and other entities dependent on it, but not limited to, in whole or in fragments of arbitrary length, for the dissemination and promotion of the Festival, works and their authors in other samples, as well as other activities produced and performed by the Cabildo de Gran Canaria, its agencies and other entities dependent on it in the exercise of the powers vested by law and provided no financial gain. Similarly, works may be used in a fragmented by television stations and Web sites for information purposes only on the Festival and its participants.

Airsoft Walkie Talkie

Buried (Buried) is a thriller directed by Rodrigo Cortés. Set in 2006 in Iraq. Paul Conroy (Ryan Reynolds), an American truck driver, wakes up inside an old wooden box, underground, with only a lighter and a cell phone.

achieved with an excellent climate, Rodrigo Cortés tells a disturbing story just to show a character in a wooden crate. The modalities of the film remind me of some clauses of the Dogma 95 manifesto. For example all we can see what we can due to the illumination that comes from the plot of the movie, there is no external lighting as on film sets, at least not in our consciousness. Every time we see the protagonist, we do because it turns your lighter, or the light of his cell. The light source is present on the screen, without these elements, we can not see anything. The manifesto Dogma
, same thing happens, but with music. The films that respond to the manifesto, just use music that comes from an element within the frame, whether the music coming from the speakers in a bar, or a cell phone ringtone, or a live band, etc.. ..
In Buried, when we see nothing, the protagonist sees nothing. When there is silence, the protagonist is silent, and only hear sounds, when the protagonist also listens.
These resources will allow the director to achieve a level of connection with the audience, which is unusual in film. We feel
everything that is happening on screen, also happens to us. This factor is the greatest achievement of the film.

note is the work of Ryan Reynolds as the only character on stage, who has spent nearly the entire film on his shoulder. Excellent interpretation.
And the work of cinematographer Eduard Grau.

Hopefully you can enjoy eating popcorn without specimens insufferable your side. And this guarantees very depressed after the movie, "which is the idea. Buried

is a film that arouses feelings in the viewer, who is not accustomed to experiencing.
Getting in the place of the protagonist, fighting for his life as much as he does from that drawer.
Personally, admiring the power of cinema, I consider "Buried", a film for a good bad time.

thing: the quality of the final product of a very low budget production with a single location and a single character on stage. Admirable.
The scene: I had recorded the conversation of Paul with his girlfriend. --- Spoiler ---

least: could have spent a good thing at some point, just one.

[Pony-score> 7]

data:

* most team members production, are English.

* In addition to directing, Rodrigo Cortez, produced the film, edited it, and was also responsible for editing and producing music.