If I Have Scabies Do I Need To Tell My Employer

readings Inception theories on the Internet, and I have reached a concrete conclusion. My theory does not match most out there, so take it as correct is almost a "leap of faith"

I hope to give this blog a significant contribution.

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I will not stop talking about the movie as if it had not seen ... We all know that has a great script, special effects work with the plot brilliantly, very respectable performances and wonderful direction. The soundtrack is worth it, and another thing to note is how the story unfolds in a concise, which prevents us from marearnos at different levels of dreams, and distinguish between them, which is essential in order to escape alive from the confusion that we get when we delve into the true nature of the film.

Asique go to the party .. we are all interested -How to decode the movie .-

When I saw the final for the first time (I saw 2 times), I felt a void in the chest and the desperation to know the precise explanation. The totem stops spinning? or still spinning, indicating that Cobb is still dreaming?

The truth is that this question reappeared in my head even absurd at times while walking through the streets of London during my holiday jajajja Nothing prevented me from obsessing over the latest film by Christopher Nolan.

The reality is that different levels of dreams, how the subconscious, and weather changes is not difficult to understand. So much of film people get up saying "I was told that was complicated, and nothing to do ..."

Yes, we understand the origin they do to Fischer and how the team goes Cobb airy dream of adventure, but "Inception" comes down to it only?

I think not. And in this I put in a strictly personal view, do not try to override different opinions, and to analyze all theories that are floating around, I realize we're all on the road to resolution, but the complexity of the film is YES, we may stray and lose our way, or we do not destiny.

This is my theory in a nutshell , then I will then explain how I came to her: "The Origin" More importantly, it is not the practice to Fischer, but Cobb, who, after what had happened with his wife, could not return to reality. Cobb lived in a dream where his guilt haunted him constantly. To proceed, wake up to reality, Cobb needed the implementation of an idea your subconscious, the idea of \u200b\u200bleaving behind Mal, the idea of \u200b\u200bmoving on, and detach from the past and guilt. An origination (an inception).

If you ask me, in the last scene, the totem eventually stops spinning, and Cobb is finally with their children, thanks to having left behind the guilt that would keep him in the dream.

I think the first thing to understand is what is Limbo: Limbo is the deepest level of sleep, where originally there is nothing, empty. When a person gets to Limbo, then builds his own world. Cobb and his wife used their memories to build a perfect world where all those parts of his memory to live together simultaneously, and where there is no need to choose between a memory or another. They could live in the building where they had lived together, or at home where they moved when they had their children. They could do whatever they wanted. Cobb explained in a moment to Ariadne, the danger of creating a world based on memories, as this can cause the person you are dreaming, no longer distinguish between reality and dream, and if it is so deep, can be lost Limbo. This is what happens to evil Limbo is a place so deep in the subconscious that when you're there, you can not wake up normally with a kick (the kick) for example. To escape from Limbo first have to die on that level, and woke up the next level of sleep, where one can wake each other kick. Ariadne why should jump off the ledge when they realize that the kick is occurring. If you do not die at that moment, you lose the opportunity, and will be trapped in limbo, because the kick itself, you can not get her out of there.
When several people are connected in the same dream, and in a state of sedation as deep as the characters are Inception, if someone dies in sleep rather than wake up, fall directly on the Limbo. The deepest place in the subconscious. This Limbo be blank if none had been there before. But we know that Cobb has been there with his wife and created his own world, which would access the other characters, if they died in his sleep.

basis of this explanation, I continue with my theory.

Cobb lives in a constant dream, (dream or rather nightmare) since Mal and his wife, committed suicide. Together they had been experimenting on other dreams within dreams and had arrived in Limbo. They built their own world, where there was nothing, a blank paper. When he began to spend too much time, Mal failed to receive the difference between reality and fantasy. Cobb had realized this, and had decided it was time to return to reality, but Mal did not want to accept. Cobb decided to help her, and looked inside the mind of his wife, a deep, where they implant the idea that "the world is not real, and the only salvation is death."

When Mal finally recognizes that idea as their own, together they commit suicide on the railway, saying that phrase that Mal repeated several scenes from the film that says something like "do not know if the train goes where you want to go, but not matter because we will be together. "
When the two back to reality, the seed that Cobb had been implanted in the subconscious of his wife, like a cancer grows in his mind, and invades the same idea, that their world is not real. Convinced that idea is so into him, commits suicide by jumping from the balcony of his hotel room, thinking that the death would wake again in the world they had created together.

When this happens, Cobb writhes in guilt, and falls into a state of remorse. A kind of Limbo, a dream that can not escape. The guilt about what happened to Evil, is projected onto that dream and all those who chase him on several occasions: in Paris, in Mombasa, in Los Angeles. They are only projections of his subconscious, guilt attacking.

Father Mal, concerned about Cobb, he says at one point "back to reality." And as this, there are many signs that the movie leaves behind, to show that Cobb is dreaming.

Mal had designed a way to distinguish between reality and dream. The use of a personal totem, which only the owner knew his behavior. When evil begins to feel that their world into Limbo is real, the totem holds a place of her mind to get rid of that notion. Decides to forget the real world out there. Cobb
no totem. Mal uses as its own, but we can not say that works, since it seems important that the totem strictly is personal and secret. Perhaps for this reason that Cobb does not distinguish which continues to dream. And the only way to get rid of the guilt that keeps him away from reality, is the implementation of an idea in your subconscious. The idea of \u200b\u200bshedding the past and forgive yourself for what happened. Eliminate guilt.

Guilt is a feeling so deep rooted that only one could eliminate origination. But as Cobb says, positive thinking is more powerful than a negative, so implementing an idea of \u200b\u200bgrowth, self-forgiveness, overcome by the idea of \u200b\u200bguilt.

All this happens behind the story in the "top layer" film, where Saito was hired by Cobb to perform an origination. Cobb reportedly wants to plant a thought in the mind of Fischer, the heir of an economic empire that rivals that of Saito. His intention is that when Fischer inherits the empire, destroy, and eliminate their only competition. To achieve this Cobb assembles a team of professionals who are willing to do this work, which for many is something impossible. " Together they must insert into the subconscious of Fisher, a positive idea that generates the awakening, a desire to make their own way and not continue with the company of his father. BUT, all this is nothing more than a mere disguise for Cobb let them into your subconscious and allow Ariadne perform origination.
There is a moment where he tells Ariadne Cobb: "The more we move into the unconscious of Fisher, the more we get into yours."

The paradox is that when you are on the second level of sleep, Cobb is passed by Mr Charles, and does exactly the same as Fisher notes that you are in a dream and convinces him that he is there to protect other people who want to steal information from your subconscious, and achieving confidence Fischer, come to your subconscious mind to implement the idea. Fisher knows he is dreaming, and believes that protecting Cobb is working on his side. Ariadne must implant the idea in the subconscious of Cobb, and Cobb believes that she is working on his side.

At that point we do not know those who are complicit, but the purpose of the origination is not Fisher, but Cobb. And personally, I venture to speculate that it commissioned Cobb origination Miles, Mal's father, who wants Cobb back with their children in Los Angeles. And if we add to that that Ariadne, who is the Cobb specifically helps eliminate your guilt, is recommended by Miles, there can be little doubt it? Miles is Cobb who teaches to do what he does, then he could have taught Ariadne, no? When Cobb asked an architect as good as him, Miles replied that he has someone better. And when Cobb explains how everything works Ariadne is surprised how quickly you understand.

• scenarios are built on dreams which plays the role of "architect." Is responsible for creating a "maze" that resembles the real world for the unconscious do not worry in a world that does not recognize as real. If this happens the whole plan would fail because the dreamer would realize that someone entered his mind to plant an idea that is not real. So this idea loses steam and all work is in vain. The subject must recognize the idea as their own so that it can develop naturally. This is why we need all the costume to implant the idea to Cobb. Because Cobb also was an expert on the subject, and is more difficult to accept the idea as something real. It is obviously a subject more likely to reject it.

• "Ariadne" is a famous character from Greek mythology, is in love with Theseus. Gives him a sword, a ball of yarn and with a light crown to help you find your way out of the labyrinth after killing the Minotaur. Christopher Nolan drew inspiration in stories of Jorge Luis Borges, as "The Circular Ruins" or "The House of Asterion" where there is also the character of the Minotaur: "to teach the world of this character, the labyrinth in which a prisoner feels, which is facing a terrible loneliness and what it does or intends to entertain and spend their time, creating an imaginary world with thought contradictory to reality. Try an existing problem, which is the destiny of man. The labyrinth becomes mean the dreams of man, each of them represents a new maze, sometimes it goes and comes out triumphant, but sometimes gets tangled obstacles and their only salvation seems to be death. "flasher =)

Cobb and his team manage to implant the idea in the subconscious of Fischer. But his problems continued when Saito and Fischer died on the third level of sleep. So that everything goes well, everyone must return to reality, so must rescue them both. Cobb and Ariadne to look down to Limbo, where he was found with evil is where Ariadne has the opportunity to implant the idea in Cobb. The deepest level of your subconscious. Where Cobb is clear from blame, and recognizes evil as a projection of his mind. Fischer Ariadne rescued and pulled from the ledge at the time of the timing of the kicks. Dying to get out of limbo and running time, the third level of sleep. Returning to the third level, can be aroused by the fall of the truck. Cobb remains in limbo to find Saito, who finds it much later. Together back to reality. After waking up in the plane, arrive in Los Angeles. At the airport Cobb looks around and we believe you are saying goodbye to his teammates, but in fact is being recognized for his dream. The known but is probably not remember where. The origin has been successful, the idea has been implanted in the minds of Cobb. Returns home, sees her children in the garden and spins the totem on the table:

IMPORTANT: your children are wearing the same clothes as many believe. Is similar but not equal, and the shoes are different. Phillipa in memories wearing a red dress with white polka dots, and the last scene, smooth red. But the biggest difference is that Cobb's memories are her children back to him, and when he returns home, his children are in front of him, with head bent, and when called, they raise their heads and run toward him. You can even distinguish a slight growth in children.

The house is also Miles, as if he had been waiting for.

Seeing your children forget the totem and runs to fetch them, but totem still spinning on the table, and we, the viewers want concrete evidence that Totem behavior tell us if we are in reality or a dream of Cobb. I think in the end credits you hear how the totem teetering on the verge of falling, even the sound it makes when turning is not the same as it does in dreams, but that's to be too detailed ... I think what really matters is the metaphor that makes the film about the different planes of reality of the fantasy: Who can say what is real and what is not? Nietzsche said: "What then are the truths?" Truths are illusions about which one has forgotten that this is what they are: metaphors with more or less power, coins which have lost their pictures and now matter only as metal, and no longer as coins. "Finally, after all life is a maze which we travel constantly and can only escape by death.

Cobb leaves the totem twisting and about their children. It seems that will be reset to have stopped spinning or not. Why should we give such importance?